Tag: Rust and Bone

More 'Rust and Bone' Stills & Clips

I added loads of additional stills of Marion Cotillard in ‘Rust & Bone‘ (De rouille et d’os). Some of those are spoilery which is probably why they were only released after the movie came out on DVD & Blu-ray in France. The movie is currently screening in the US in New York & Los Angeles and will get a wider release tomorrow. On January 10 it will open in Germany. I also added 6 more subtitled video clips to the archive. There are now 10 clips. Enjoy – but if you haven’t seen the movie yet, I fear watching them all will spoil things too much.

Gallery: 025 De rouille et d’os (Rust and Bone) – 2012 > Stills
Video: 006 Movie & TV Clips > Rust & Bone

Marion Cotillard gets ‘Rust and Bone’ amputee character with one image

Marion Cotillard gets ‘Rust and Bone’ amputee character with one image

It took just one image for Oscar-winning French actress Marion Cotillard to nail the physicality of her “Rust and Bone” character, an orca trainer who loses her legs in an accident at Marineland.

“We were preparing the movie … trying costumes and … the first time I sat on a chair on my legs and I had those pants hanging, the image was so strong that we knew that the process of creating her was really on,” said the 37-year-old Paris native.

“And then this image never left, so the special effects never got in our way,” Cotillard said in an interview at September’s Toronto International Film Festival, where “Rust and Bone” screened.

“It’s weird because it was kind of organic. I think that when I saw this image of me without legs, that was it. I didn’t have to research or to think to forget that I had no legs.”

Besides, if Cotillard shows any awkwardness in the role, it’s fitting since her character is also adjusting to life as an amputee.

“It would have been different if Stephanie was a character who had been in that state for like 10 years. I would have worked totally different,” she said.

“But it just happened. Basically I discovered what it was with her.”

Cotillard’s method seems to have worked: she’s earning raves from critics and recently picked up a Golden Globe nomination for best actress for the role.

The French-language drama, which opens Friday in Vancouver and Toronto, is also up for a Golden Globe for best foreign-language film.

Jacques Audiard co-wrote and directs the French-Belgian film that’s adapted from Canadian author Craig Davidson’s short story collection of the same name.

Flemish actor Matthias Schoenaerts co-stars as Ali, an unemployed single father who turns to street fighting as he falls in love with Cotillard’s character.

“I was really, really moved by her. Everything she does,” Cotillard said of her character.

“The first time the relationship goes into something very physical with him, I always wanted to take her in my arms.”

Cotillard, who won an Oscar for playing French singer Edith Piaf in 2007’s “La Vie en Rose,” also liked the challenge of taking on an enigmatic character who’s sunk into a deep depression.

“When I work and when I take a character, I need to understand every part of the character. I need to go as deep as I can and to visit the whole house, every corner. I want to know every web, every spider, everything,” she said.

“And with her, suddenly I realized that I didn’t need to know everything. The fact that she was mysterious was very exciting.”

Cotillard was shooting “The Dark Knight Rises” during rehearsals for “Rust and Bone,” and Schoenaerts was at first worried they wouldn’t have time to develop chemistry.

“In the beginning I was like, ‘Oh my God, how is this going to happen onset?'” said the star of the Oscar-nominated 2011 crime drama “Bullhead.”

“But from Day 1, Take 1, we had a very genuine pleasure in what we were doing and she was ready as hell, and hungry and dedicated.”

And he didn’t have a problem trying to picture Cotillard without legs, even in their intimate scenes.

“Somehow, once I’m in the scene, I just feel it the way Ali feels it, I guess,” said Schoenaerts.

“I don’t want to mystify it or whatever, but it didn’t affect me, the fact that she still had legs and that I had to pretend she didn’t. For me, she didn’t have them.”

Schoenaerts did boxing and kick-boxing when he was younger but had to train a lot to prepare for his role.

Though he didn’t sustain any injuries during his graphic fight scenes, he was intimidated by the professional fighters he filmed the scenes with.

“These guys in front of me were huge and they scared the hell out of me,” he said with a laugh.

Interview: Marion Cotillard of ‘Rust and Bone’

Interview: Marion Cotillard of ‘Rust and Bone’

Good news, Katy Perry fans: Though Marion Cotillard’s whale trainer character in “Rust and Bone” loses her legs in an accident as Perry’s “Firework” plays, the actress says she’s not too traumatized by the empowerment tune.

“The song’s become something very special to me,” says the Paris-born Cotillard by phone from New York. “And we listen to it a lot with the team I work with. I love the song.”

In the film, opening Friday, Stephanie (Cotillard) copes with tragedy through help from Ali (Matthias Schoenaerts), a nightclub bouncer who defends Stephanie in a fight before the accident. The 37-year-old Oscar winner (“La Vie En Rose,” “The Dark Knight Rises”) says her feelings about fighters vary.

“If you fight as a kind of sport, kind of a game, so it becomes something powerful and not something specifically violent [that’s one thing] … but when you fight in the street, when you fight because you get in a fight with someone who says something bad, [it’s] not showing strength,” she says. “It can be weakness to be a fighter. Because you are just a violent person.”

Cotillard wasn’t happy when a friend tried to defend her in real life against “someone who was annoying me.” “I got so mad because I didn’t want him to get into a fight,” she says. “I used to go to see boxing and I used to love it, but seeing people fighting in the street because of an argument or something, this is something that I cannot stand.”

People may not expect someone as glamorous as Cotillard to enjoy boxing, but she doesn’t see herself that way. “It’s part of an actor’s life to sometimes show glamor,” she says. “In my real life I see myself as a human being who learns a lot of things, but I would not describe myself as glamorous. I would describe myself as just a simple human being.”

Cotillard’s Stephanie character has anything but a simple journey in “Rust and Bone” as she tries to reclaim her sense of self after the tragic accident with a whale she is training. Cotillard emphasizes the role of sexual identity in that process. “That’s a beautiful way to put the energy back into your body,” she says.

The whale accident comes as a jolt in “Rust and Bone,” but Cotillard has been familiar with surprises lately—particularly regarding her character in “The Dark Knight Rises.”

“I didn’t tell anyone what my character does in the movie,” Cotillard says of her friends, “and they were pretty shocked.” (Spoiler alert: She sleeps with Batman and tries to kill him. Cotillard notes her friends focus more on the killing aspect.)

These serious movies tend to be her forte career-wise, but Cotillard admits to loving “dumb” American comedies, including Adam Sandler films. She’s particularly fond of “Step Brothers” due to her love for John C. Reilly and Will Ferrell (she also says she loves Steve Carell and Vince Vaughn).

Yet when asked to name an actor she still wants to work with, Cotillard said Kate Winslet. When I suggest a comedy starring the two of them, Cotillard offers an idea for the title: “Step Sisters.”

If she had unlimited time in Chicago:
“I would want to go and visit my friend who lives there. And I would go to Gibson’s. And Green Mill. I loved it, too.”
On working with whales: “The thing is I didn’t have much time to prepare this movie because I was filming another movie, so I arrived five days before the shooting and we had worked before with [director] Jacques [Audiard], but with the whales I arrived five days before the shooting and that’s when I met with them and I started to learn how to [do] all the gestures to make them do what you want them to do. I love animals and I’ve always had a strong connection with them. My trainer, the woman who worked with me, she was really amazing and she made my job very easy … If you do the right gestures, you feed them well, they will actually do whatever you want them to do.”
On, as seen in “Rust and Bone,” topless swimming being more common in France than the U.S.: “There’s a freedom with our bodies in France maybe, I don’t know.”
If it’s more difficult to lose arms or legs: “Oh my God, I don’t know. It’s hard to compare. It’s really hard to lose a part of your body. No, I’d rather not lose anything. [Laughs]”

London Critics' Circle Awards Nomination

Marion Cotillard just got nominated for the Best Actress award by the London Critics’ Circle. She previously won that award in 2008 for ‘La Vie en Rose‘.

Holy Motors
Once Upon a Time in Anatolia
Rust and Bone

Jessica Chastain – Zero Dark Thirty
Marion Cotillard – Rust and Bone
Helen Hunt – The Sessions
Jennifer Lawrence – Silver Linings Playbook
Emmanuelle Riva – Amour

Anna Karenina – Jacqueline Durran, costumes
Argo – William Goldenberg, film editing
Beasts of the Southern Wild – Ben Richardson, cinematography
Berberian Sound Studio – Joakim Sundstrom & Stevie Haywood, sound design
Holy Motors – Bernard Floch, makeup
Life of Pi – Claudio Miranda, cinematography
Life of Pi – Bill Westenhofer, visual effects
The Master – Jack Fisk & David Crank, production design
My Brother the Devil – David Raedeker, cinematography
Rust and Bone – Alexandre Desplat, music

The 33rd annual London Critics’ Circle Film Awards will be held Sunday January 20 at the May Fair Hotel in central London.

Marion Cotillard’s new role cuts to the ‘Bone’

Marion Cotillard’s new role cuts to the ‘Bone’

Marion Cotillard takes a tough turn in the gritty love story “Rust and Bone.”

In her new film “Rust and Bone,” which already has set box office records in France, Marion Cotillard takes a dramatic step away from her chic, seductive earlier roles. Cotillard won a 2008 Oscar as Edith Piaf in “La Vie en Rose,” played captivating dream women in “Inception” and “Midnight in Paris,” and has been a brand ambassador of Dior since 2009.

Now the 37-year-old actress goes gritty and working-class as Stephanie, a killer-whale trainer at a French seaquarium. After she suffers a terrible accident, she enters a sexually charged courtship with Ali (up-and-coming Belgian star Matthias Schoenaerts), a tough boxer/bouncer with a criminal past, impulse-control issues and a spotty record as a single parent to his young son. Each is damaged inside and out, each makes an effort to heal — and tame — the other.

“Rust and Bone” is already gathering Oscar buzz for Cotillard. To prepare, she took swimming lessons while filming “The Dark Knight Rises” in Pittsburgh, and spent days learning how to interact with whales by observing orca trainers at Marineland in Antibes. (Spoilers follow.) But in a September interview at the Toronto International Film Festival, she said that playing a double amputee re-learning to walk did not require a lot of study.

“I didn’t need to watch a lot of videos” to create her character’s body language, Cotillard said. “They showed how amputees who were experienced with their artificial legs moved. My character, who was suddenly injured, was learning to walk from scratch, like a newborn, and she learns as she goes along.”

Cotillard’s father was a mime and theater director, her mother an actress, but they didn’t pressure her to perform, she said. Her early film diet was heavily Hollywood, and she considers herself “very lucky” to have collaborated with Woody Allen, Tim Burton, Michael Mann, Christopher Nolan, Ridley Scott and Steven Soderbergh. She hopes one day to work with her longtime favorite, Steven Spielberg, as she crafts a career shuttling between English-language roles and working in France, which she considers her home base.

Cotillard is famous for her immersion in her characters. She shaved her eyebrows and hairline to play the haggard, aging Piaf. To get inside John Dillinger’s girlfriend Billie Frechette in “Public Enemies,” she interviewed elders at the Menominee Indian Reservation in Wisconsin where Frechette grew up.

But she had never faced a challenge like playing a legless woman. For scenes in which Stephanie uses a wheelchair, Cotillard sat on her folded legs. Scenes where she walks on steel prosthetics were created with digital technology. “Once I put myself in the character of someone legless, I almost forgot everything below the knees.”

The love affair between Stephanie, who retains a healthy sex drive, and the ever- ready Ali, who is brusquely matter-of-fact about her injury, is by turns dramatic, frankly sensual and surprisingly fun and funny. “The tragedy was already in the situation. We didn’t need to dwell on it as actors,” she said. “They both hurt but they are transforming, regaining their lives, embracing love. Why wouldn’t they laugh together sometimes?”

Cotillard appears in several scenes with performing whales at the amusement park, in effect directing their performances. It was one of the most difficult episodes of the production, she said, because she considers the whales intelligent, sensitive creatures that should not be removed from their habitat.

“It didn’t feel like I was in charge. It was as if we were working together as a team,” she said. “But it was not my favorite scene. I never go to the zoo because I hate to see animals caged or turned into circus amusements. Their captivity in a swimming pool upset me. The trainers love them, working with these huge creatures is their passion, but I would not go back there again.”

By contrast, she sees the scenes of Stephanie’s visceral excitement about Ali’s bare-knuckle boxing career as paradoxically life-affirming. The whale trainer becomes his lover, manager and chief cheerleader. It’s not that her character relishes brutality, she explained, but that the combat stirs visceral feelings in a woman who felt physically desensitized. “She’s not a saintly martyr,” Cotillard said. “A character who is pure isn’t interesting. It’s the complicated ones who are the best challenge.”

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