‘The Immigrant‘ being released in the US tomorrow and ‘Deux jours, une nuit‘ premiering at the Cannes Film Festival in competition next Tuesday makes for a very interesting situation. We’re getting French and English media coverage for two of Marion’s movies starring her in the lead role. Not that I’m complaining.
The May issue of Studio Ciné Live comes with two covers, one featuring Marion Cotillard, the other Angelina Jolie. The Cannes issues of this week’s L’Express Styles and Télérama both feature Marion on the cover as well. All three magazines include brand-new photo shoots. Sofia added scans of all three yesterday.
Also, Marion Cotillard will be on the cover of Version Fémina’s Cannes issue (which comes out with Journal du Dimanche next Sunday).
Then there’s an article inside this month’s Premiere, thank you very much Elise for providing scans. This week, Marion was also on the cover of Variety in the US. If you’re able to provide scans (digital or real) we’d appreciate that very much. In the meantime I’ve added the outtakes and the cover. There was also an article in LA Times.
In addition to many online English interviews the French interviews and pictures from last week’s magazines have started to appear online so I added them. If you don’t speak French you can now copy the text into an online translator.
Marion is included as one of W Magazine’s 33 Best Performances of 2013! I think this may be featured in their February issue, so we’ll be on the lookout for scans. The introductory article and caption about Marion can be read below, with the all-new photoshoot image in the Gallery. You can see the full Best Performances portfolio at WMagazine.com
Marion Cotillard in Rust and Bone
“I have a crush on Harry Dean Stanton in Paris, Texas. He was my type of guy, especially when I was a kid. I was totally in love with him. I wanted to go anywhere with Harry Dean Stanton: Texas, Paris, whatever, wherever.”
Best Performances 2013 This year’s 33 brightest stars, up close and unscripted. By Lynn Hirschberg
In 2012, sex all but disappeared from the movies. Perhaps because it was an election year, perhaps because America has been absorbed by a longing for heroes, the films this year were largely devoid of physical passion. Even James Bond, notorious for his tantalizing, exotic affairs, was nearly chaste in Skyfall. The Bond girl in the latest chapter was his boss and maternal figure, M, who stands for England in all its historic glory. Similarly, the runaway hit of the holiday season was Lincoln, in which Daniel Day-Lewis brilliantly gives voice and humanity to the greatness of what government can do: pass a law that ends a war and frees the oppressed. And while the creation of the Amendment that abolished slavery in America represents a kind of sexy happy-ending history lesson, the couplings in the film are mostly legislative. Zero Dark Thirty is another, more contemporary, slice of American-history-in-action, and though the war still rages, it also ends with a victory—the death of Osama bin Laden. The movie follows a CIA analyst named Maya, portrayed with intensity and steel by Jessica Chastain, who believes she has found the arch-terrorist’s lair and will not rest until he is killed. Although Maya works with a team of men and some women, she seems to exist as an island. It’s entirely possible that her goals could be pursued even with human interaction, but that might compromise her hero status in the viewer’s eyes.
Sunday’s New York Magazine’s this year’s Hollywood issue and features a portfolio with 13 actresses, among them Marion Cotillard, and a lengthy article about female heroic roles in Hollywood.
It is, instead, to acknowledge the range and depth of 13 remarkable and very different actresses, and also to convey, through the suggestive medium of pictures and words, an array of intriguing, troubling, inspiring and contradictory possibilities. A partial list of the roles the women in these pages have played this year would include a slave, a sex therapist, a trainer of killer whales, a randy Texas dowager, a 19th-century factory worker driven to prostitution and the two most compelling and morally complicated characters in the semicompelling, morally simplistic “Dark Knight Rising.” And also, of course, Katniss and Hushpuppy, authentic superheroes with the power to turn the world upside down.
Marion is featured in the Hollywood Reporter’s annual Actress Roundtable this year! The magazine gets together chosen actresses involved in the years Oscar race, and talks to them about all things actress-y. This year they talk to Marion, Naomi Watts, Anne Hathaway, Amy Adams, Sally Field, Rachel Weisz and Helen Hunt.
The Hollywood Reporter’s Actress Roundtable was held October 22nd at Siren Studios in Hollywood.
The full roundtable discussion has been posted online for us to watch, which you can do below. A text version is featured in the November 30th edition of the magazine with the actresses all looking beautiful on the cover in a new group photoshoot. That is posted below for you too. Mia and I have added the cover, photoshoot pictures, and behind the scenes of the photoshoot and discussion to our Gallery. Needless to say, we will be on the lookout for scans, and if you can help us out with this, please get in touch 🙂
Rock n' Roll Marion Cotillard15 February 2017
Guillaume Canet is told by a young co-star that he's no longer Rock'n' Roll and he can't sell films anymore. He then tries to prove her wrong and gets help from his wife, Marion Cotillard.