from National Post (Canada) / by Manori Ravindran
What: Blood Ties, French director Guillaume Canet’s fourth feature film about a pair of brothers (played by Billy Crudup and Clive Owen) — one a cop, the other a criminal — in 1970’s New York. Marion Cotillard plays the mother of Chris’s (Owen) children, who’s trying to run her own brothel.
When: Sept. 10, 10:45 a.m.
Who: Director Guillaume Canet, producer Alain Attal, Marion Cotillard
1. Canet, who has long been fascinated with the 1970’s, has always wanted to set one of his films during this period in New York.
“I grew up with … the cinema of the 1970’s in the U.S. Like Sam Peckinpah and Jerry Schatzberg,” said the Tell No One director, seated beside his real-life partner, Cotillard. “I’ve always been very excited about making a movie of that genre.”
2. Canet and Cotillard admit there are ups and downs to being in a working and personal relationship.
The couple, who have been together for several years and have a child, talked at length about the difficulties of both living and work together. “I trust Guillaume 200 per cent,” said Cotillard. “I would do anything for him to get what he wants. When he’s not happy, it touches me deeply. But it’s interesting to be in the life of someone who’s in the creative process. Even though it’s sometimes really hard to live, sometimes it’s heaven and sometimes it’s hell. But I’m supportive because I know this creative process is really intense.”
3. Don’t ask the La Vie en Rose actress about her personal life, even if you disguise it as a question about Parisians being more romantic.
When a journalist asked how the couple keeps the romance alive at home since France is the most romantic country in the world, Cotillard gracefully responded, “I cannot answer this question. We never talk about our personal life.” Canet quickly turned to the actress and said, “You can just say I’m very romantic at home, too.”
4. Cotillard accepted the role partly because she was looking for a film set in the 1970’s, since she’s acted in films from virtually every other period in recent history.
“I was very excited to explore this period because I had explored the 20s, 40s, 50s, 60s, even the 80s, but never the 70s,” said Cotillard, to which Canet joked, “This is why I picked the 70s, to make sure she would accept.” The actress, smiling, replied, “No, I would have accepted anything,” before adding, “There is a special groove to the 70s and I loved working on the very specific body language that really comes with what they wore and the period’s time and the way people wanted to set themselves free of the constrictions that they had lived in for years.”
5. Cotillard, who dons an Italian accent in the film, had no trouble picking up Polish for a role, but failed miserably at learning Italian.
Cotillard had to learn some Polish for her work in the film The Immigrant, but says she simply couldn’t pick up Italian for Blood Ties (even though it was all her idea!) “I wanted to learn a little bit of Italian, but I failed,” said Cotillard. “It was kind of dramatic for me, but I didn’t have to speak Italian in the movie so it was’t like a major public failure … The amount of time it took me to learn four lines in Italian was the same amount of time it took me to learn 20 pages in Polish. I mean, I am really not good at Italian.”
- Marion Cotillard and Guillaume Canet partners of a different kind in ‘Blood Ties’, posted on September 10, 2013
- Interview Marion Cotillard, posted on May 21, 2013
- Cotillard talks working with Canet, posted on September 19, 2013
- A Woman Whose Softness Could be Taken for Fragility, posted on December 7, 2013
- Little White Lies: Interview with Guillaume, posted on April 8, 2011