Marion Cotillard just got nominated for the Best Actress award by the London Critics’ Circle. She previously won that award in 2008 for ‘La Vie en Rose‘.
FOREIGN LANGUAGE FILM OF THE YEAR
Once Upon a Time in Anatolia
Rust and Bone
ACTRESS OF THE YEAR
Jessica Chastain – Zero Dark Thirty
Marion Cotillard – Rust and Bone
Helen Hunt – The Sessions
Jennifer Lawrence – Silver Linings Playbook
Emmanuelle Riva – Amour
The Sky 3D Award: TECHNICAL ACHIEVEMENT AWARD
Anna Karenina – Jacqueline Durran, costumes
Argo – William Goldenberg, film editing
Beasts of the Southern Wild – Ben Richardson, cinematography
Berberian Sound Studio – Joakim Sundstrom & Stevie Haywood, sound design
Holy Motors – Bernard Floch, makeup
Life of Pi – Claudio Miranda, cinematography
Life of Pi – Bill Westenhofer, visual effects
The Master – Jack Fisk & David Crank, production design
My Brother the Devil – David Raedeker, cinematography
Rust and Bone – Alexandre Desplat, music
The 33rd annual London Critics’ Circle Film Awards will be held Sunday January 20 at the May Fair Hotel in central London.
Additionally, USA Today has some quotes from Marion Cotillard about her Golden Globe nomination and plans for the holidays – “My family. Home” – and about award season:
“I’m very happy. I’m very proud of this one. But above all, it’s the encounter with two amazing people and the crew we worked with to make this happen. I’m very happy for all of us. I want to celebrate the present time. I don’t want to think ahead. I want to enjoy what’s now and what’s here. I don’t get nervous at all. I’m just very happy about this movie’s journey so far.”
Read the full article here (small factual error in there, I semi-corrected it):
• Cotillard: ‘Very happy about this movie’s journey’, USA Today
The Hollywood Reporter says Marion Cotillard was in Paris, staying at a friend’s house, when she heard that she received a Golden Globe nomination for best actress in a motion picture, drama, for Rust and Bone.
“I’m very happy for the movie, I’m very happy for French cinema. I’m very happy for French-language films,” says the actress, who mentions the nominations of Amour and The Intouchables for best foreign film as especially exciting. As for Jacques Audiard’s Rust and Bone, in which she plays a killer whale trainer who suffers a horrible accident, Cotillard says, “it’s really amazing to share a French movie with a U.S. audience. It’s a beautiful and very unconventional love story. It’s a movie that shows you can turn violence into power, and it’s a very beautiful and positive story.”
And here’s ‘Rust and Bone‘ director Jacques Audiard’s statement:
“We have been blessed with an impressive reception of the film in the US but this nomination comes as an unexpected honor. I am particularly happy for Marion. When you have shared a moment of pleasure with someone, it is always great to have the opportunity to extend it. This confirms the interest paid in recent years by the members of the Hollywood Foreign Press Association for French cinema. I am very happy to be part of this trend.”
The Hollywood Foreign Press Association just announced their nominations on a very early morning at the Beverly Hilton hotel in Beverly Hills in California, presented by Megan Fox, Ed Helmes and Jessica Alba. Marion Cotillard was nominated for Best Actress – Drama for her performance in ‘Rust and Bone‘ (De rouille et d’os). Congratulations! This is her third Golden Globe Best Actress nomination, though the first in the Drama category. She previously won in the comedy/musical category for ‘La Vie en Rose‘ and was nominated for ‘Nine‘.
Best Performance by an Actress in a Motion Picture — Drama
Jessica Chastain, “Zero Dark Thirty”
Marion Cotillard, “Rust and Bone”
Helen Mirren, “Hitchcock”
Naomi Watts, “The Impossible”
Rachel Weisz, “The Deep Blue Sea.”
Best Foreign Language Film
“A Royal Affair”
“Rust and Bone”
The 70th annual Golden Globe Awards will be presented January 13 at the Beverly Hilton Hotel, hosted by Tina Fey and Amy Poehler and airing live on NBC.
How did the idea for “Lowlife” germinate?
My brother and I found some old slide photos my father had taken from the mid-to-late 1970s. A few of them were photographs from a trip to Ellis Island. It has become a kind of museum now, but my father took us in 1976 right after it had reopened after closing decades before and the place was untouched to the point that there were half-filled out immigration forms on the floor. It was almost like ghosts had been there. And we took my grandfather who came to Ellis Island in 1923, and the second he walked into the building he burst into tears.
So then I started reading about it and I read a story that was extremely interesting to me about women who came in either solo or their families had been split up, and how they would get into New York and sometimes they had to resort to very sad ends to get there, and I’d never seen it done in a movie. 40% of the United States have relatives that came in through there and yet it’s only been in a handful of films — the opening scene from “The Godfather II,” and the end of Kazan’s “America, America” and that’s it.
In “Lowlife” you work with Marion Cotillard for the first time. Tell us how that came about.
I had no idea who Marion Cotillard was. When I was in Paris for “Two Lovers,” a publicist told me, “A guy named Guillaume Canet wants to have lunch with you.” So we met and had lunch, I found him incredibly funny — I didn’t know anything he had done at that stage, but we sort of bonded because a rat ran across the floor of the restaurant. And then he said, “Come meet my girlfriend” and I met this woman who looked like a silent film actress like Pola Negri or something. And I said, “Who’s your girlfriend?” and he said [French accent] ”You don’t know my girlfriend? She won an Oscar, are you stupide?”
And my wife and I became very friendly with them. One night at dinner we went to a restaurant and I told her I didn’t like some actor that she thought was great and she threw a piece of bread at my head, and I thought, “Well, you’re interesting.” So I wrote the movie [“Lowlife”] for her, having never seen her in a movie. Because she has this face, you know? She doesn’t even have to say anything, and that’s rare.
Also French Allocine got to talk to the writer/director about ‘Lowlife‘ (The Nightingale) at the festival:
We confirmed that his fifth feature film will be in line Two Lovers (2008), but less thriller, more drama. “There is no aspect of thriller to it, more of an opera dimension (…) I approached it like a Puccini opera that has never been staged.”
At the center of what we will therefore call an “opera drama” set in the 1920s, Joaquin Phoenix and Jeremy Renner will fight to gain favour in the beautiful eyes of a Marion Cotillard provided with very little dialogue – when she does speak, it will be “some English but also in Polish.”
Congratulations to Marion Cotillard for receiving a SAG nomination for her performance in ‘Rust and Bone‘! This is her second nomination in this category after ‘La Vie en Rose‘ and fourth overall (she was also nominated twice for best ensemble cast in ‘Nine‘ and ‘Midnight in Paris‘).
Outstanding Performance by a Female Actor in a Leading Role
JESSICA CHASTAIN / Maya – “ZERO DARK THIRTY” (Columbia Pictures)
MARION COTILLARD / Stephanie – “RUST AND BONE” (Sony Pictures Classics)
JENNIFER LAWRENCE / Tiffany – “SILVER LININGS PLAYBOOK” (The Weinstein Company)
HELEN MIRREN / Alma Reville – “HITCHCOCK” (Fox Searchlight)
NAOMI WATTS / Maria – “THE IMPOSSIBLE” (Summit Entertainment)
The 19th Annual Screen Actors Guild Awards will be simulcast live nationally on TNT and TBS on Sunday, January 27 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center.
EDIT: Marion released statements to give her reaction to the nomination:
“Thank you so much to the Screen Actors Guild, it’s an enormous honor as an actor to be recognized by your peers. I’m thrilled to share this nomination with the incredible Jacques Audiard and Matthias Schoenaerts and the entire “Rust and Bone” team, and especially Tom Bernard and Michael Barker at Sony Pictures Classics for bringing the film to US audiences.”
• E! Online
“My publicist called me to tell me the news. I’m in Paris and was on my way to see a children’s play, Pinocchio, with my son! I’m super happy, and it’s really something I share with people who worked on that movie, especially our director Jacques Audiard and my amazing costar Mattias Schoenaerts. Recognition by SAG is really important for an actor; it’s really one of the greatest nominations an actor can receive. I’m very very happy. And the play was good too! Though I spent most of the time watching the little kids in the audience. They were so cute.”
• The Hollywood Reporter
“It’s more than joy. It’s one of the most important nominations because of course as an actor being nominated by actors it’s something I really, really enjoy. I’m very happy. Of course getting a nomination for a movie and for my work is something I really enjoy because I do that job to give something to people and to share something with people. But the actors know what you go through when you make a movie. They know what you go through when you take a character to create someone. So, this is a very special connection we have with actors so it means a lot.”