2012 Telluride Film Festival

Marion Cotillard arrived in Telluride, Colorado (US) yesterday after reportedly taking four flights to get from Paris to Telluride (via Los Angeles). Despite being exhausted from the travel she charmed everyone. She attended an intimate filmmakers Dinner hosted by Sony Picture Classics (US distributor for ‘Rust & Bone‘) and was awarded the Silver Medallion for her performance.

TELLURIDE: Just left intimate SPC dinner w/ Marion Cotillard, Gael Garcia Bernal, and Dennis Quaid. Off to outdoor screening of Bernal’s NO.
PS: Marion Cotillard, even on no sleep and after taking five flights to get from Paris to Telluride, is still drop dead gorgeous. My God.
• Scott Feinberg Tweet 1, Tweet 2

At SPC’s annual filmmakers dinner Saturday night, Rust & Bone star Marion Cotillard attended. Besides Best Actress Oscar talk, she received a special festival tribute today which she told me was quite an honor.
Deadline.com

At one table, journalists switched seats throughout the dinner in order to converse with Bernal and Cotillard, who were seated at opposite ends. Upon arriving, the two European stars hugged and proudly showed each other iPhone pics of their young children. Both had to leave a little early — Cotillard to receive her career tribute, which was moderated by THR film critic Todd McCarthy, and Bernal, with Larrain, to introduce the second screening of No, which was held at a nearby outdoor venue. … Cotillard, meanwhile, talked about how difficult she has found it to learn other languages — especially Italian — for films that she has made outside of France.
The Hollywood Reporter

This morning, Marion Cotillard atttended the tribute to herself and the screening of ‘Rust & Bone‘. A few pictures via Twitter:

Betsyrowbottom, Bunee Tomlinson, Steve Persall 1 & 2, Jim Berkowitz

And 2 articles:
Telluride 2012: Marion Cotillard Comes to Town for Career Tribute and ‘Rust and Bone’ Premiere, The Hollywood Reporter, September 2
‘Dark Knight Rises’ and ‘Rust & Bone’ star Marion Cotillard honored in Telluride, HitFix, September 1

Gallery:
002 Events in 2012 > 2012 Telluride Film Festival – Sony Pictures Classics Dinner credit: Hollywood Elsewhere
012 Events in 2012 > 2012 Telluride Film Festival – Silver Medallion Award
012 Events in 2012 > 2012 Telluride Film Festival – Day 3

James Gray Movie is called ‘Nightingale’

Marion Cotillard’s upcoming movie by James Gray is no longer untitled: According to The Playlist James Gray made a suprise appearance during the Marion Cotillard tribute at Telluride (more on that later) and presented a clip as well as the new title “Nightingale”. Why the confusion?

“It used to be called ‘Lowlife,'” Gray said, “But the author of the novel threatened to sue me. So now we’re calling it ‘Nightingale.'” Gray joked that a few others were vying for the title, but added, “We’ll win in the end…coming sometime in 2017,” he joked.

And here’s a description of the clip that was shown:

In the scene, Marion Cotillard’s prostitute character Sonya is in church praying, and then takes a confessional. “I’m ashamed,” she said through weepy tears and a tattered black shawl, before launching into all her crimes and misdemeanors: lying, theft of food, her rape, and ultimately the revelation that she’s been whoring herself out to help pay and take care of her sick sister.

Having just come off the boat from Poland a few months previously coming to the American promised land, it appears that Sonya’s dream of a better life is actually worse than she can imagine. “We were caged like animals,” Cotilard said about the voyage on a ship to North America. Her rape was public knowledge on the boat and she says she’s damaged goods, hence having to prostitute herself.

Seemingly waiting to exploit her when she got off the boat is her pimp, Joaquin Phoenix, who in this scene, surreptitiously follows her into the church and ease-drops on her confession. Renner’s character didn’t feature in what felt like it was probably a scene from early on in the movie.

Telluride 2012: Marion Cotillard Comes to Town for Career Tribute and 'Rust and Bone' Premiere

from The Hollywood Reporter / by Scott Feinberg

The actress could become only the fifth woman to earn multiple Oscar nominations for performances given in a foreign language.

TELLURIDE, Colo. — Jacques Audiard’s French-language drama Rust and Bone, which stars French Oscar winner Marion Cotillard and Belgian up-and-comer Matthias Schoenaerts, had its North American premiere Saturday night. Cotillard was in town — after taking four flights to get from Paris to Telluride — to attend not only the screening but also an intimate dinner hosted by Sony Pictures Classics (which acquired the film’s North American distribution rights months before its world premiere in Cannes back in May) as well as a career tribute given to her by the festival and moderated by THR’s film critic Todd McCarthy.

The film itself was very well received here, as it has been overseas, and I think it has a very strong shot at scoring Oscar nominations for both best foreign language film (unless France instead submits the more widely-accessible but less artistically-ambitious The Intouchables) and best actress. If it does secure a best actress slot, Cotillard, a best actress winner for 2007’s La vie en rose, would become only the fifth woman — after Isabelle Adjani, Penelope Cruz, Sophia Loren and Liv Ullmann — to earn multiple acting noms for performances given in a foreign language. Schoenaerts, meanwhile, deserves every bit as much attention for his brooding and brutish performance, which — like his work in last year’s Bullhead, a best foreign language Oscar nominee from Belgium — has earned him many comparisons to a young Marlon Brando. But the best actor category is jam-packed with big names this year, so he’s a long shot.

Audiard, who is best known for directing the widely-acclaimed French best foreign language Oscar nominee Un Prophet (2009), also co-wrote this film with Thomas Bidegain. It tells the story of two people, a whale trainer (Cotillard) and a frequently-unemployed single father who is staying with his sister and trying to make something of himself (Schoenaerts). They are both broken in different ways — she physically (after experiencing a terrible accident at work) and he emotionally (he vents his internal rage and pays the bills by competing in illegal bare-knuckle streetfights). They first cross paths before her accident and his streetfights; then they reunite afterwards and find that they can make each other feel a little better.

Virtually every moment of the film is visually beautiful and poetic, but the two actors each have one scene that seems to me particularly worthy of highlighting. (Spoiler alert.) For Cotillard, the moment comes early in the film, when she awakens in an empty hospital room and discovers, to her horror, that her legs have been amputated and her life will never be the same. For Schoenaerts, the wait is a bit longer, but well worth it: near the end of the film, while Schoenaerts’ character is spending time with his son and trying to prove to his sister that he is capable of being a responsible father, his son literally falls into a potentially deadly situation that requires the father to apply his physical strength for a truly important reason for perhaps the first time.

I sat next to Cotillard — who, even on no sleep, is drop-dead-gorgeous — for a chunk of the Sony Classics dinner, and we got to discussing, of all things, Ronald Reagan. I told her that I’m a lover of old movies — she said that she is, as well — and that while watching her hospital scene in Rust and Bone, I couldn’t help but think of the moment in the 1942 film King’s Row when Reagan awakens to discover that his legs have been amputated and shrieks, “Where’s the rest of me?!” Everything about that initial moment of horror — the initial look of confusion, the panicked realization, and the hysterical reaction — reminded me a lot of her scene, so I had to know if she was familiar with it and/or regarded it as an inspiration. She told that she had never heard of it before — SPC co-chief Michael Barker felt confident that Audiard had, though — and was now fascinated to check it out, so I emailed her — and am now sharing with you — a YouTube clip that includes that scene, starting at the 1:04 mark.

For my money, Cotillard’s scene — and those that follow it and show her without her legs, which were achieved using CGI techniques that required her to wear a grey sock — is every bit as good, and probably better.

On the Cover of Glamour

Marion Cotillard graced the cover of the 100th issue of French Glamour in July as well as of the Spanish August issue. I didn’t manage to make original scans of the French issue but did so of the Spanish one. Also check out our recent Magazine Wrap-Up post as I posted all the scans and articles etc from the recent Vogue, Elle and Grazia covers.

Gallery:
008 Scans from 2012 > Glamour (France) – July
009 Scans from 2012 > Glamour (Spain) – August
028 Behind the Scenes > 2012 – Glamour

Video:
001 Magazines, Photoshoots > Glamour

'Dark Knight Rises' and 'Rust & Bone' star Marion Cotillard honored in Telluride

from HitFix.com / by Kristopher Tapley

TELLURIDE – Actress Marion Cotillard didn’t really explode onto the domestic film stage until “La Vie en Rose,” but what a coming out it was. She managed to win an Oscar that few (ahem) saw coming and transformed that newfound respect and goodwill into a thriving Hollywood career, but it was hardly an overnight success story.

Cotillard had already seen plenty of success in her native France before that 2007 explosion. She starred in Arnaud Desplechin’s “My Sex Life… or How I Got Into an Argument,” Pierre Grimblat’s “Lisa” and the “Taxi” action comedy trilogy — earning plenty of recognition for each — before breaking out in Yann Samuel’s romantic comedy “Love Me If You Dare” (in which she co-starred with eventual husband Guillaume Canet) in 2003. She also eventually landed a prime role in Jean-Pierre Jeunet’s “A Very Long Engagement,” which brought her a César Award for Best Supporting Actress.

It was around this time that Cotillard appeared in Tim Burton’s “Big Fish,” and what an interesting director to have “discovered” her on these shores. But word gets out on talent wherever they may be on the globe, and soon enough, Cotillard was working with Abel Ferrara (“Mary”) and Ridley Scott (“A Good Year”). Then, it was “La Vie en Rose.”

Olivier Dahan’s Édith Piaf biopic was bound to be a ripe opportunity for whoever got the role, but Cotillard nailed it. It was much more than an impersonation of a larger-than-life singer. It was a brave portrayal, a fully immersive one. She went on to win the BAFTA and Golden Globe awards for Best Actress (the first winner of the latter for a foreign performance in 35 years), yet still pundits expected SAG winner Julie Christie to take the Oscar for Sarah Polley’s “Away from Her.”

That didn’t happen. Cotillard took the prize, as well as, eventually, another César — only the second person to win both awards for the same performance. She was also the first foreign performer to win the Best Actress Oscar in nearly 50 years.

Cotillard then lept out into a new phase of her career. Her next collaboration was with Michael Mann (“Public Enemies”), and it was one she relished for the director’s process of fully investigating a character’s backstory and thoroughly carving him or her out of whole cloth. She was one of the best parts of the film, which wasn’t all that well-received, and the promise was all the more clear that a star was on the rise.

She soon found roles in big ensembles of movie stars, and she seemed to fit right in: Rob Marshall’s “Nine,” Steven Soderbergh’s “Contagion,” Christopher Nolan’s “Inception,” etc. The latter nailed down a nomination for Best Picture, while the very next year, she starred in another: Woody Allen’s “Midnight in Paris.”

This year she’s already appeared in Nolan’s “The Dark Knight Rises” (though in my opinion she was perhaps wasted in a role that had such promise but was ultimately little more than a cog in the twist-ending wheel). Yet again, she seemed at home in a blockbuster, a perfect fit as a first-timer at the end of a trilogy that was one of the biggest money-makers the industry has seen. She’s also present on the indie circuit this year in hubby Canet’s “Little White Lies.”

More importantly, though, Cotillard already dazzled audiences at Cannes with her performance in Jacques Audiard’s “Rust & Bone,” which is playing Telluride this year. The film will surely thrust her into the Best Actress conversation later this year as more and more people get a look at it.

Coming up there is James Gray’s currently untitled film (formerly known as “Lowlife”) that could be something to watch for next year, as well as a role in Canet’s “Blood Ties” (written by Gray) opposite Clive Owen, Mila Kunis, Zoe Saldana and James Caan, among other notables. And once again, surrounded by such firepower, she seems perfectly at home. Just five years after most of us really got a look at her, Marion Cotillard has been welcomed into a pantheon and shows no signs of letting up.

It’s a perfect time, then, for Telluride to offer up a tribute to her work. The festivities happen tonight at the Palm Theatre here in town, and I imagine she’ll likely be humoring similar this-is-your-life appreciations for years to come.

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