Marion Cotillard: La Vie en Rose

from TIME Style & Design (US) / by Marcia DeSanctis

Sheathed in fall’s signature mauves, burgundies and dusty pinks, Marion Cotillard is radiant in this season’s commanding yet feminine silhouettes

As a child growing up in the bucolic Loire Valley, Marion Cotillard didn’t covet her mother’s high heels. “I wore a lot of my father’s clothes as a kid, even though most of the time it was a disaster,” she says. She once paired a men’s sky blue thermal bodysuit with an orange polka-dot cardigan, black skirt and flats. “As soon as I put my foot in the school building, I thought, My God, what did I do?”

It’s hard to imagine Cotillard, the face of Christian Dior and an Academy Award–winning actress, feeling the same doubts today. She has been a red-carpet darling since collecting her Oscar for the Edith Piaf biopic La Vie en Rose in a mermaid-like Jean-Paul Gaultier dress—scales and all—back in 2008. Since then, she has racked up credits with Woody Allen, Steven Soderbergh and Christopher Nolan, who cast her in linchpin supporting roles for both Inception and The Dark Knight Rises, while her lead performance in Rust and Bone, in theaters later this fall, generated awards buzz after its Cannes premiere. And even under constant surveillance by the world’s fashion mandarins, Cotillard hasn’t tamped down her playfulness or originality. (Case in point: the ballet-inspired Dior dress, spiky Louboutin Mad Max sandals and shock of tangerine shadowing her blue eyes at the New York City Dark Knight Rises premiere.)

Cotillard grew up shy and awkward, she says, but with a strong sense of adventure and a stronger safety net. “We lived in an amazing, creative, free and loving world,” she says of her family: father Jean-Claude, a mime and director; mother Niseema Theillaud, an actress and drama teacher; and twin younger brothers. She inherited a talent for the family business, and today, Cotillard never stops working. She arrived on the set of Rust and Bone just four months after giving birth to the now 16-month-old Marcel, her son with French actor and director Guillaume Canet. Since June, she has wrapped Canet’s 1970s Brooklyn crime yarn Blood Ties and James Gray’s as-yet-untitled Ellis Island drama, also starring Joaquin Phoenix and Jeremy Renner.

“By the time I got to the set, Joaquin and everyone had a running joke that Marion was a cyborg, that she never messed up, never faltered, she was always brilliant, every time, every take, every day,” Renner says with a laugh. “She makes everything look easy. Nothing gets under her skin.”

“It’s strange, because I had the feeling sometimes that I was directing Marion like I would direct a man,” says Rust and Bone director Jacques Audiard. “I don’t know how to describe it except to say that she’s very rational and direct and not fussy in a girly sort of way. This was incredibly surprising.” In Rust and Bone, Cotillard plays Stephanie, a marine-park trainer who suffers a critical injury and then—against a backdrop of sea and summer sky on the Côte D’Azur—claws her way back to humanity and love. “I was baffled by the character at first,” Cotillard says. “But the amazing thing about this job is the chance to search for and hopefully find this new person.”

In her fashion choices, however, Cotillard does not seek out reinvention. “If I don’t feel like myself in an outfit—if it makes me feel like a different person—I won’t wear it,” she says. Dries Van Noten appeals to her for combining simplicity and edginess, as do the bright sculptural prints of Tsumori Chisato. “I always find something that’s kind of crazy but at the same time is wearable and really looks like me,” she says about the Paris-based designer. Whenever she’s in Los Angeles, she likes to stock up on James Perse Tshirts and real cowboy boots—she has three pairs—at her favorite emporium on Sunset.

Cotillard also has something of a hat obsession, one that dates back to the making of La Vie en Rose, for which she had to shave her eyebrows and hairline. “I looked terrible, so my hat collection increased dramatically,” she says. She favors the masculine shapes of the trilby and fedora, in which she’s often photographed while strolling with Marcel on the streets of Manhattan and which reveal that Cotillard’s most enduring fashion influence may date back to her idyllic childhood. “I love men’s hats,” she says, “because my father wears them.”

Dior Magazine

After launching their online magazine earlier this year, Dior are now launching a print magazine – and Marion Cotillard is on the cover of its first issue. WWD reports it but since I can’t access it here a few quotes courtesy of Fashion Copious:

– Available September 10th.
– The 110 page debut issue was designed by Fabien Baron.
– Marion Cotillard is “wearing the house’s original Bar jacket and flaring skirt from 1947”

Dior chief executive officer Sidney Toledano said such communication efforts nourish the brand, feed its narrative and help articulate “the values of Dior, which are different from our competitors.…It’s important today to differentiate ourselves.”

“It’s another way to communicate luxury,” said Toledano, flipping through the heavy, velvety pages and stressing, “This is not a catalogue. It’s fresh and modern. It’s how we see ourselves; our own maison. I think it translates perfectly the mood of the company right now.”

Vogue Germany reports that it will be published twice a year (September and March) in 9 different languages (among them English, French, Chinese and German).

Gallery:
001 Magazine Scans > Scans from 2012 > Dior Magazine (France) – No.1

'Rust & Bone' in Competition at 56th BFI London Film Festival

We’re being hit with loads of news. The 56th BFI London Film Festival (October 10-21) unveiled their line-up earlier today – and guess what, ‘Rust & Bone‘ (De rouille et d’os) is on it. Not only that, it is also competing in the category Official Competition. There are 12 films in each of the 3 competitive categories. There are 2 screenings:

Saturday, October 13, 2012 at 8:30 PM
Sunday, October 14, 2012 12:30 PM

The festival’s comment to the plot synopsis of the “unpitchable” film is:

That such potentially lurid material is explored with subtlety and emotional complexity is tribute not only to Audiard, but to his extraordinary leads. Marion Cotillard is mesmerising in arguably her most challenging role yet, while up-and-comer Schoenaerts impresses mightily as an apparent lunk suddenly forced to look for his hidden resources. Rust and Bone is as punchy and abrasive as its title suggests – but intensely moving and surprisingly poetic too.

Additionally, Variety reports that Marion herself will be participating in a Screen Talk during the festival.

Lady Dior Web Documentary – Episode 1: Fantasia

The first episode of the new Lady Dior Documentary is online! See Marion Cotillard overseeing the designing, cutting, fitting and sewing for dresses to be worn by her at Dior’s haute couture workshops. Enjoy!

Visit LadyDior.com to see 3 bonus videos showing work being done close-up & the view from the workshop.

Check back later today for screencaptures.

Gallery:
001 Dior > Lady Dior: A Web Documentary > Stills
070 Dior > Lady Dior: A Web Documentary > Episode 1: Fantasia

Video:
001 Documentaries > Lady Dior

Interview from Savoir Flair

Savoir Flair is a Middle East Online Fashion Magazine and they have a brand-new interview with Marion Cotillard about ‘Rust & Bone‘.

Q&A With… Marion Cotillard

Gallery:
005 Scans from 2012 > Savoir Flair (Middle East) – September

Post Archive:

Page 130 of 344 1 127 128 129 130 131 132 133 344