It’s been six months since Rachel Siprien disappeared. At the request of Rachel’s mother, private detective François takes over the investigation. The young woman’s personality, complex and multi-faced, is part of a strange network made-up of her best friend Clarisse, her ex-boyfriend, her stepfather, her neigbours and everyone who knowns her well or even sightly. François begins to frequent these various friends and acquaintances, and penetrates Rachel’s daytime and noctural habitat. He spies, asks disturbing questions, and fills in the blanks intentionally left by those he questions. His private life, already well complicated by an ex-wife and a mistress with a jealous husband, becomes more complicated by an affair with Clarisse and by problematic relations wih the police when Rachel’s body is found. François takes the blows, dishes some out and little by little puts together a picture of the real Rachel Siprien. Disappear means being eternally reborn”.
Somewhere in a forest there is a school.
Here, isolated from the rest of the world, young girls learn to dance and about natural science.
Near the end of World War I in France, five nearly hopeless men shoot themselves in order to escape the horror of the frontline trenches at the Somme. They are court-martialed under mysterious circumstances and as punishment, are pushed out of an allied trench into no-man’s land, left alone to die a horrible death. The fiancee of one of the men, suddenly receives some information that leads her to believe her boyfriend might have somehow been able to escape his prescribed fate. She sets out on a painful and frustrating search for the truth, which also leads her to learn about the absurdity of war, the strangeness of secrecy, and the enduring passion and tenacity of the human heart. Based on the acclaimed novelby Sebastian Japrisot. Nominated for two Academy Awards! Starring Audrey Tatou (“Dirty Pretty Things,” “Amelie”), Jodie Foster (“Panic Room,” “Contact”), Dominique Pinon (“The Da Vinci Code,” “Amelie”) and Tcheky Karyo (“Taking Lives,” “The Patriot”).
Arthur is left in a coma for several hours after a car accident. While coming to, he raves incoherently, giving free reign to things directly rooted in his unconscious. When conscious again, he’s confronted by a curious dilemma: what was he doing that night on the road near Cherbourg?
Isabelle, one of the nurses at the hospital, noted Arthur’s troubling, disturbing and liberating ramblings in a black notebook. To help him answer his questions, she gives Arthur the notebook, as though offering him a treasure, the written testimony of his delirium.
From that moment on an incredible adventure begins for Arthur; he’ll be the victim, the guilty party and the investigator… of his own life.
Invaded by the traumas of our unconscious, should we nevertheless stamp out the memories that clutter up our minds?
Dom Cobb (Leonardo DiCaprio) is a skilled thief, the best in the dangerous art of extraction: stealing valuable secrets from deep within the subconscious during the dream state when the mind is at its most vulnerable. Cobb’s rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible—inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse; their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime.
But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.