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15
May 2014
English Press  •  By  •  0 Comments

One of the most-discussed entries of last year’s Cannes Film Festival was James Gray’s New York–set period piece The Immigrant. The film was divisive — winning rapturous acclaim as well as a few sneers — but most viewers agreed that it featured a fantastic performance by Marion Cotillard, giving her her first leading role in an American film, after years of headlining French films and taking on supporting parts in

15
May 2014
French Press  •  By  •  0 Comments

Une fois de plus, elle sera un des frissons sensationnels de Cannes. Dans le nouveau film des frères Dardenne, l’actrice et égérie Dior est exceptionnelle en jeune femme se battant pour sauver sa peau au travail. Événement festivalier assuré et, ici, confessions intimes sans faux-fuyants. Un vendredi, Sandra (Marion Cotillard) est licenciée d’une petite entreprise produisant des panneaux solaires. Le patron annonce aux ouvriers que, en contrepartie du départ de

14
May 2014
French Press  •  By  •  0 Comments

Palme en vue : Marion Cotillard revient à Cannes en ouvrière combative dans « Deux jours, une nuit », des frères Dardenne. Un rôle dans lequel l’égérie Dior s’est glissée corps et âme. Rencontre passionnée. Quarante minutes. Voilà ce que la production du film des frères Jean-Pierre et Luc Dardenne « Deux jours, une nuit » nous offre royalement. Quarante minutes d’entretien avec son actrice principale, Marion Cotillard. Alors, obsédé

14
May 2014
English Press  •  By  •  0 Comments

The French star of ‘The Immigrant’ channels old-world America and pushes herself to exciting new places In the opening moments of The Immigrant, James Gray’s operatic epic set in 1920s New York, two women stand in line at Ellis Island after an arduous transatlantic journey. They converse in Polish, keeping each other’s spirits up by imagining happier times ahead. Their skin is pale and plain, their drab clothes nearly indistinguishable

14
May 2014
English Press  •  By  •  0 Comments

When I enter Marion Cotillard’s suite at New York’s Trump SoHo hotel, she’s gazing out a window, across the Hudson toward New Jersey. “What’s that?” she asks, gesturing to a small building that’s just offshore and part of an inlet, of sorts. Unfortunately, I can’t help Cotillard with an answer, but I also can’t help but notice that she’s perfectly set the scene for an interview pegged around The Immigrant,