Day: December 30, 2009

3 new 'Nine' interviews

I added 3 new interviews about ‘Nine‘. They’re lovely reads, especially the last one.

Cotillard pushed herself into music of ‘Nine’, The Arizona Republic, Dec 24
Marion Cotillard: The No. 1 of ‘Nine’, The Baltimore Sun, December 29
Marion Cotillard: A tiger’s fantasy Nine lives, The Toronto Star, December 30

“Someday, I hope I’ll be more confident,” Marion told me. Then she paused, and laughed a little. “Maybe not. I think maybe it’s better to be insecure, actually.”

“When people ask me how I am like Edith Piaf, how I am like Luisa Contini, then I become very mad,” she declared, eyes blazing. “I am an actress and they are characters I am playing. Why is that so hard for some people to understand?”

“Look, if you work all the time, if just do movie after movie, you’re playing another person more than you’re being yourself and the real you can get lost that way. If you don’t live your real life, then you become empty and the only place you can find authentic inspiration is in reality. That’s where the truth is.”

“Rob (Marshall) told me he wanted to make people feel Guido ought to be with Luisa again. That was my job. Where do I find it all? In my character. Never in myself.” Her voice rises again. “I will never, never use something from my own life. I feel it is too dangerous. If you wake up an old pain, for example, because you have to cry in a scene, then how do you put that pain back to sleep again?”

Marion Cotillard: A tiger's fantasy Nine lives

from The Toronto Star (Canada) / by Richard Ouzounian

Actress takes time for her own reality as she works to understand the roles she is playing

NEW YORK–A piece of advice: if you value your life, don’t confuse the real Marion Cotillard with the characters she plays onscreen.

When I did, the sweetly smiling doe who had been gazing at me in an elegantly faded hotel room turned into the raging tiger she becomes in the climactic musical sequence of Nine, her latest film.

“When people ask me how I am like Edith Piaf, how I am like Luisa Contini, then I become very mad,” she declared, eyes blazing. “I am an actress and they are characters I am playing. Why is that so hard for some people to understand?”

After five minutes in her presence, you not only understand her point perfectly, but you wonder how anyone could make the mistake.

Cotillard took the world by storm as Piaf in La Vie en rose, winning an Oscar for her performance as the decrepit, drug-addled “little sparrow” who scorched the concert stage with her self-destructive songs.

And now, she is exquisite in Nine as the liquid-eyed Luisa, suffering through the infidelities and humiliations that her husband, internationally acclaimed film director Guido Contini, keeps publicly inflicting on her, until she can take no more and strikes back in a fantasy striptease number of unparalleled masochism.

But she’s neither of these women. Nor is she the mischievous Fanny from A Good Year, the battered Billie Frechette from Public Enemies or … well, you get the picture.

“What I love about my job and why I’m doing this is the desire to understand someone else. And you don’t have to be someone to understand them.”

She tilts her head to one side and smiles. An artist who wanted to paint the true Cotillard would find himself using colours like dusty rose or aubergine. There’s an almost palpable warmth emanating from her, but it’s not coupled with the usual empty cheerfulness found in many Hollywood stars.

“Look, if you work all the time, if just do movie after movie, you’re playing another person more than you’re being yourself and the real you can get lost that way.

“If you don’t live your real life, then you become empty and the only place you can find authentic inspiration is in reality. That’s where the truth is.”

To play Luisa, she went for her inspiration to a pair of real directors’ wives.

Because Nine is based on Fellini’s autobiographical 8 1/2, it’s always been understood that the long-suffering wife who gave up her acting career for a while was inspired by Fellini’s spouse, Giulietta Masina.

“Yes, part of my inspiration was her,” says Cotillard. “If you look at the films she made for Fellini in their early days together, you can see a great artist who was also a very fragile woman.

“But I found even more material in the documentary film called Hearts of Darkness, about (Francis Ford) Coppola shooting Apocalypse Now. His wife Eleanor had to endure the most blatant infidelities on the set, much like Luisa does with Guido, but yet she remained so dedicated to him until he finally pushed her too far. Just like Guido does with Luisa.”

Cotillard has slipped into a world where the real Giulietta and Eleanor have taken equal footing with the fictional Luisa and you begin to see how her art is formed.

“When you understand someone, you can love them no matter how terrible they seem to be. She knows that Guido, as an artist, as a director, lives in a world where his desires are all fulfilled. I want this set, I want this costume…” She stops, with a catch in her throat. “I want this actress. So you take them all.

“Luisa can deal with the physical infidelity, even though it is painful to her. What she finds unforgivable is the lie.”

She slips into one of her songs from the film, “My Husband Makes Movies,” whispering a few lines softly in her endearingly husky tremolo.

“Singing with Guido all night on the phone … long ago, someone else ago.”

Then she looks up suddenly and Luisa has vanished.

“Rob (Marshall) told me he wanted to make people feel Guido ought to be with Luisa again. That was my job. Where do I find it all? In my character. Never in myself.”

Her voice rises again. “I will never, never use something from my own life. I feel it is too dangerous.

“If you wake up an old pain, for example, because you have to cry in a scene, then how do you put that pain back to sleep again?”

But where did Cotillard find the depths of degradation she needed to allow a room full of men to paw her as she stripped in front of her husband in the fantasy song “Take It All”?

“I found it in Luisa. She carried me through it. It’s such a gift for an actress to find a character who will enable her to free herself that completely.

“You can’t find it in every part you play, but when you do, you say `Yes, I am free! Thank you, my friend!'”

Desert Palm Achievement Actress Award

During the 21st Annual Palm Springs International Film Festival Marion Cotillard will be awarded the Desert Palm Achievement Actress Award. Congratulations! In 2008, she was awarded the Breakthrough Performance Award at the same festival.

“Following a distinguished career in French cinema, Marion Cotillard has firmly established herself as a major actress in American films,” said festival chairman Harold Matzner. “Her performance in Rob Marshall’s ‘Nine’ is nothing short of breathtaking.”

Past recipients of the Desert Palm Achievement Actress Award include Anne Hathaway, Halle Berry, Charlize Theron, Naomi Watts and Kate Winslet.
source

I updated the Awards & Nominations page as well as the sidebar.

New Portrait Session

While I’ve been busy behind the scenes to bring you soon lots of Marion goodies, nickufan sent in a gorgeous portrait session taken June 20, 2009 in Chicago. Many thanks & enjoy!

025 Sessions from 2009 > Set 001