Welcome to Magnifique Marion Cotillard! Marion's best known for her award winning performance in La Vie en Rose, but you might also recognise her from movies such as Inception, Midnight in Paris, The Dark Knight Rises and The French Rust and Bone. Collecting nominations for her latest film Two Days, One Night and starring in the upcoming adaptation of Shakespeare's Macbeth, Marion Cotillard is finally making a comeback to leading roles. Not stopping at movies, Marion Cotillard is also exploring her musical talents, having toured with French rock band Yodelice and recorded a song and video with British band Metronomy. She's also taken over the fashion industry as the face of Lady Dior. All the while, she is never too busy for her family and to lend her time and name to causes she believes in. Enjoy your time here and keep checking back for all the latest news!
Nov 16, 09   Mia   0 Comment Gallery Updates, Movies

on 1 Jan, 1970

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Last Saturday, Marion Cotillard together with Daniel Day-Lewis, Penélope Cruz, Nicole Kidman and Judi Dench attended the press conference for ‘Nine‘ at the Waldorf Astoria Hotel in New York. I’ve added some pictures to the gallery.

Read an interview with composer-lyricist Maury Yeston about his work on ‘Nine‘ on Playbill.com. Some quotes about Marion’s song Take It All (presently available on YouTube):

The wife’s 11 o’clock number, “Be on Your Own,” sung as she hits the exit for good. The closing lines of it — “You’ll take with you all you own / From A to Z / . . . And all of me” — inspired, at Marshall’s suggestion, a new number: “Take It All.”

“‘Be On Your Own’ is a song that made me very proud when I wrote it the first time,” Yeston admitted. “It always had a wonderful and scathing effect on stage, but, as I have said, you need action in a film. Film is far more literal and far more specific than a stage show. No matter how detailed the set of a stage show is, it could never be as detailed as actually being in an actual place in a movie. You see the details of every room, you see the props, you see the lights. You are meant to accept this as literally the real world, whereas in theatre we give you a white tile set or a unit set in the abstract and we ask you to use your imagination. Because film is more literal, you really do have to go farther out on a limb to become theatrical.”

Yet another Oscar winner, Anthony Minghella (“The English Patient”), weighed in on that number. He did the final polish on Michael Tolkin’s screenplay, finishing it just days before his death, and it was his suggestion that the number be shared with Kidman and Cruz. “Three women are leaving Guido at the same time, but only one of them devoted her life to him. Only one of them has been married to him for 20 years. Only one of them is giving up everything in her body and soul. Once we explored it, it did not make any sense for three women to share and participate in the depth of despair and anger that only one of them had really earned. So we restored it to a solo.

“I saw Marion Cotillard’s movie three times, and ‘Take It All’ is as much inspired by Marion Cotillard as ‘Folies Bergeres’ was inspired by Liliane Montevecchi. I think that’s, sometimes, when you do your best work because you realize ‘Nothing that I write makes any sense if I don’t have a brilliant actor to put it across the footlights to the audience.’ Here, I knew I was writing for the specific gifts of a brilliant actress.

011 ‘Nine’ Press Conference – New York


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