I’ve just read through today’s online press covering last night’s premiere of ‘La Môme’. German journalists reported that it got standing ovations. Some loved the emotional portrayal of tragic French singer Edith Piaf. Others didn’t. But everyone loved Marion Cotillard’s performance. One newspaper compared her transformation as the French singer to Charlize Theron’s performance in ‘Monster’ – that got her the Golden Bear in Berlin. Similar Predictions for Marion Cotillard are not rare.
Marion also got praise from the industry’s leading paper Variety (click for full film review): “Versatile, always spot-on thesp Marion Cotillard surpasses herself as the waiflike French songbird whose personal traumas fueled her art. Cotillard nails the assignment, portraying Piaf at 20 to Piaf on her deathbed with a range of gestures, her trademark posture, and a core of eternal hurt melded with ferocious pride. She embodies Piaf’s raspy speaking voice, her imperious street-wise attitude, her simple joy at being lionized by other celebs, and the taste of artistic triumph mixed with the constant hum of genuine tragedy.” Continue reading